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Gary Moore

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Bio

One of rock's most underrated guitarists (both from a technical and compositional point of view), Gary Moore remains relatively unknown in the U.S., while his solo work has brought him substantial acclaim and commercial success in most other parts of the world -- especially in Europe. Born on April 4, 1952, in Belfast, Ireland, Moore became interested in guitar during the '60s, upon discovering such blues-rock masters as Eric Clapton, Jimi Hendrix, and perhaps his biggest influence of all, Fleetwood Mac's Peter Green. After relocating to Dublin later in the decade, Moore joined a local rock group called Skid Row, which featured a young singer by the name of Phil Lynott, who would soon after leave the group to double up on bass and form Thin Lizzy. Skid Row persevered, however, eventually opening a show for Moore's heroes, Peter Green and Fleetwood Mac, and making such an impression on the veteran group that Green personally requested their manager help secure Skid Row a recording contract with CBS (in addition, Green sold Moore one of his most-used guitars, a maple 1959 Gibson Les Paul Standard, which would become Moore's primary instrument). Skid Row would go on to issue several singles and albums (including 1970's Skid and 1971's 34 Hours), and although the group mounted a few tours of Europe and the U.S., it failed to obtain breakthrough commercial success, leading to Moore's exit from the group in 1972. Moore then formed his own outfit, the Gary Moore Band (along with members drummer Pearse Kelly and bassist John Curtis), for which the guitarist also served as vocalist. But after the trio's debut album, 1973's Grinding Stone, sunk without a trace, Moore hooked up once more with ex-bandmate Lynott in Thin Lizzy. Moore's initial tenure in Lizzy proved to be short-lived, however, as his fiery playing was featured on only a handful of tracks. Moore then set his sights on studio work (appearing on Eddie Howell's 1975 release, Gramaphone Record), before joining up with a prog rock/fusion outfit, Colosseum II. But once more, Moore's tenure in his latest outfit was fleeting; he appeared on only three recordings (1976's Strange New Flesh, plus a pair in 1977, Electric Savage and War Dance), as Moore accepted an invitation by his old buddy Lynott to fill in for a Thin Lizzy U.S. tour, playing arenas opening for Queen. Moore proved to be quite busy in 1978, as the guitarist appeared on three other artists' recordings -- Andrew Lloyd Webber's Variations, Rod Argent's Moving Home, and Gary Boyle's Electric Glide. The same year, Moore issued his second solo release (almost five years after his solo debut), Back on the Streets, which spawned a surprise Top Ten U.K. hit in May of 1979, the bluesy ballad "Parisienne Walkways," and featured vocal contributions by Lynott. Moore joined forces with his Lizzy mates once more in 1979, appearing on arguably the finest studio album of their career, Black Rose, which proved to be a huge hit in the U.K. (for a fine example of Moore's exceptional guitar skills, check out the album's epic title track). But predictably, Moore ultimately exited the group once more (this time right in the middle of a U.S. tour), as a rift had developed between Moore and Lynott. Undeterred, Moore lent some guitar work to drummer Cozy Powell's solo release, Over the Top, in addition to forming a new outfit, G Force, which would only remain together for a lone self-titled release in 1980. During the early '80s, Moore united with former ELP guitarist/bassist/singer Greg Lake, appearing on a pair of Lake solo releases (1981's self-titled release and 1983's Manoeuvres), in addition to guesting on another Cozy Powell solo release, Octopuss. But it was also during the '80s that Moore finally got serious with his solo career -- issuing such heavy metal-based works as 1982's Corridors of Power, 1983's Victims of the Future, 1984's Dirty Fingers and the in-concert set We Want Moore!, 1985's Run for Cover, 1987's Wild Frontier, plus 1989's After the War -- establishing a large following in Europe, despite remaining virtually unknown stateside. The decade wasn't all rosy for Moore, however -- although he was able to patch up his friendship with Phil Lynott (appearing with Lizzy for several tracks on Life/Live, and teaming with Lynott for a pair of tracks in 1985, "Military Man" and "Out in the Fields," the latter a U.K. hit), years of hard living finally caught up with Lynott, leading to his passing in January of 1986. Moore would subsequently dedicate "Wild Frontier" to Lynott, and honored Thin Lizzy's former frontman on the track "Blood of Emeralds" (from After the War). Fed up with the pressure to pen hit singles and tired of his metallic musical direction, Moore returned to his blues roots for 1990's Still Got the Blues, the most renowned and best-selling release of his career, as the album featured such special guests as Albert Collins, Albert King, and George Harrison. Moore continued in his newly rediscovered blues style on such subsequent releases as 1992's After Hours and 1993's Blues Alive, before forming the short-lived supergroup BBM along with Cream's former rhythm section -- bassist Jack Bruce and drummer Ginger Baker -- which lasted for a single album, 1994's Around the Next Dream. Up next for Moore was a tribute album for Peter Green, 1995's Blues for Greeny, which saw him put his own personal stamp on 11 tracks either penned or performed at some point by Green. Moore experimented with different musical styles on his next two solo releases, 1997's Dark Days in Paradise and 1999's A Different Beat, before embracing the blues once more on his first release of the 21st century, 2001's Back to the Blues. Over the years, Gary Moore has been the subject of countless compilations, the best of the bunch being 1998's metal-oriented Collection and 2002's blues-based Best of the Blues, as well as Out in the Fields: The Very Best of Gary Moore, which was split 50/50 between his metal and blues excursions. Teaming with Skunk Anansie bassist Cass Lewis and Primal Fear drummer Darrin Mooney, Moore started work on much harder and alternative-influenced rock in the spring of 2002 and released the results as Scars. The powerful Live at Monsters of Rock from 2003 proudly declared "no overdubs used" while 2004's raw Power of the Blues featured nothing but the blues, as did 2006's Old New Ballads Blues on Eagle Records, 2007's Close As You Get (which featured some drum contributions from his old Thin Lizzy friend Brian Downey), and 2008's Bad for You Baby. This turned out to be Moore's final studio album, as he unexpectedly passed away of a suspected heart attack in the early morning hours of February 6, 2011, while vacationing in Spain. ~ Greg Prato
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Albums by
Gary Moore

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    14 songs

    On Air

    The Collection

    10 songs

    On Air

    Power of the Blues

    11 songs

    On Air

    Bad for You Baby

    11 songs

    On Air

    Close as You Get

    11 songs

    On Air

    Old, New, Ballads, Blues

    12 songs

    On Air

    Blues Collection

    16 songs

    On Air

    After Hours [Bonus Tracks]

    10 songs

    On Air

    Dirty Fingers

    11 songs

    On Air

    Dark Days in Paradise

    10 songs

    On Air

    Scars

    10 songs

    On Air

    Dirty Fingers

    11 songs

    On Air

    A Different Beat

    10 songs

    On Air

    Back to the Blues

    10 songs

    On Air

    Run for Cover

    11 songs

    On Air

    Wild Frontier

    12 songs

    On Air

    Still Got the Blues

    11 songs

    On Air

    After the War

    75 songs

    On Air

    5 Album Set (Remastered) (Run for Cover/After the War/Still Got the Blues/After Hours/Blues for Green

    8 songs

    On Air

    Victims of the Future [Bonus Tracks]

    9 songs

    On Air

    Corridors of Power

    11 songs

    On Air

    Blues for Greeny

    15 songs

    On Air

    The Essential

    9 songs

    On Air

    G-Force

    50 songs

    On Air

    The Definitive Montreux Collection

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Top Songs by
Gary Moore

  1.   Song
    Popularity
  2.   Still Got the Blues
  3.   Bad For You Baby
  4.   Oh Pretty Woman
  5.   All Your Love
  6.   King of the Blues
  7.   Walking by Myself
  8.   Need Your Love So Bad
  9.   Stormy Monday
  10.   Cut It Out
  11.   That's Why I Play the Blues
  12.   Midnight Blues (2006)
  13.   I'll Play the Blues for You
  14.   Preacher Man Blues
  15.   Someday Baby
  16.   Mojo Boogie
  17.   Tore Down
  18.   Done Somebody Wrong
  19.   Getaway Blues
  20.   The Sky Is Crying
  21.   No Reason To Cry
  22.   Woke Up This Morning
  23.   One Good Reason
  24.   Purple Haze
  25.   Torn Inside
  26. See All Songs

Stations & Shows Featuring
Gary Moore

    On Air

    Blues

    On Air

    Modern Blues

    On Air

    Jimi Hendrix: DNA

    On Air

    AC/DC: DNA

    On Air

    Classic Rock Deep Dive

    On Air

    B.B. King: DNA

    On Air