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Leroy Anderson

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Best remembered for "The Syncopated Clock" and the holiday classic "Sleigh Ride," Leroy Anderson was one of America's most popular composers of light, melodic orchestral music. A talented conductor and arranger to boot, he had a particular knack for creating humorous sound effects with standard orchestral instruments and percussion. Anderson was born June 29, 1908, in Cambridge, MA, into a family of Swedish immigrants. His mother played the organ in church, and gave her young son lessons; starting at age 11, he studied piano at the New England Conservatory of Music, and also took private lessons on the double bass. He entered Harvard in 1925 to study music, playing both trombone and double bass in the orchestra; he also sang in the glee club and joined the marching band as drum major and arranger (some of his arrangements of collegiate songs are still performed at Harvard). After graduation, he stayed around to earn his master's degree, then took a teaching post at Radcliffe College; he also directed the marching band from 1931-1935, performed as a freelance organist and bassist, and continued his graduate studies in German and Scandinavian languages. In 1935, Anderson quit his teaching job to become a full-time freelancer. The following year, he was tapped by the Boston Pops Orchestra to arrange and conduct a medley of his Harvard song arrangements. Director Arthur Fiedler liked Anderson's work so well that he requested an original composition, which Anderson delivered in the form of "Jazz Pizzicato." Premiered in 1938, "Jazz Pizzicato" was a hit with audiences, leading to a follow-up called "Jazz Legato" and a full-time position for Anderson as the Boston Pops' arranger and orchestrator. That engagement was interrupted in 1942 by military service; Anderson spent much of World War II working in the Scandinavian intelligence division, and was eventually transferred back to Washington as he rose through the ranks. While working at the Pentagon in 1945, Anderson composed one of his best-known tunes, "The Syncopated Clock"; he premiered it with the Boston Pops that year, along with "Promenade." When World War II ended, Anderson turned down a full-time intelligence post in Stockholm to return to music. He rejoined the Boston Pops as orchestrator/arranger from 1946-1950, settling in Woodbury, CT. During that period, "The Syncopated Clock" was catching on with orchestras and bands across the country. Anderson began to compose more prolifically, coming up with another popular piece in 1947's "Fiddle-Faddle," and also arranging a well-received medley of traditional Irish tunes, "The Irish Suite." In the middle of a particularly hot 1947 summer, Anderson began work on the piece that would become "Sleigh Ride"; completed the following year, the tune would become a Christmas classic thanks to Anderson's imaginative sound effects (sleigh bells, clopping hooves, cracking whips, neighing trumpets, etc.). In 1950, Anderson was offered the chance to lead his own 55-piece studio orchestra by Decca Records. His recording of "The Syncopated Clock" was soon adopted by CBS as the theme song to its long-lived Late Show movie program, thus ensuring its immortality. That year also brought two whimsical new hits in "The Typewriter" and "The Waltzing Cat," both laden with evocative sound effects. 1951 was an even bigger year; "Belle of the Ball" and "Plink! Plank! Plunk!" took their place in the Anderson canon, but the key item was "Blue Tango," a more exotic piece that topped the charts and, over 1951-1952, became one of the first instrumentals to sell one million copies. In 1953, Anderson debuted a more serious, extended classical composition, "Concerto in C for Piano and Orchestra," with performances in Chicago and Cleveland. He withdrew the work in order to revise the first part, but never completed the intended changes; his family later published the concerto in its original form. More popular compositions followed in 1954, including "Bugler's Holiday," "Sandpaper Ballet" (another effects-oriented piece), and "Forgotten Dreams." In 1958, Anderson wrote his first and only Broadway musical, Goldilocks, in collaboration with writers/lyricists Walter and Jean Kerr. He recorded for Decca through 1962, and remained active as a conductor and composer (the latter still primarily for the Boston Pops) into the early '70s. In 1972, he was the guest of honor on a Pops PBS special devoted to his works. He passed away on May 18, 1975; 13 years later, he was elected to the Songwriters Hall of Fame. Orchestras across America made Anderson's catalog one of the most performed in the country during his heyday; what was more, Anderson wrote different arrangements of his works for musicians of all different skill levels, helping ensure their accessibility and permanence in the orchestral/band repertoire. ~ Steve Huey
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Albums by
Leroy Anderson

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    13 songs

    On Air

    Leroy Anderson Conducts His Music

    13 songs

    On Air

    Leroy Anderson Conducts Leroy Anderson

    26 songs

    On Air

    The Typewriter

    15 songs

    On Air

    ANDERSON, Leroy: Classical Juke Box (1947-1950)

    36 songs

    On Air

    Christmas Music On 1 Piano 6 Hands (Piano4Te)

    21 songs

    On Air

    Leroy Anderson: Orchestral Favourites

    12 songs

    On Air

    A Christmas Festival

    11 songs

    On Air

    Merry Christmas with Leroy Anderson

    25 songs

    On Air

    Light Orchestral Music

    29 songs

    On Air

    The Greatest Hits Collection

    12 songs

    On Air

    A Leroy Anderson Pop Concert

    26 songs

    On Air

    Blue Tango

    39 songs

    On Air

    The Typewriter

    22 songs

    On Air

    A Leroy Anderson Christmas

    16 songs

    On Air

    Sleigh Ride And Other Original Hits

    46 songs

    On Air

    Leroy Anderson Collection

    47 songs

    On Air

    Collection (Reg)


Top Songs by
Leroy Anderson

  1.   Song
    Popularity
  2.   Sleigh Ride
  3.   The Typewriter
  4.   Suite of Carols (7), arranged for brass choir~We Three Kings Of Orient Are
  5.   Suite of Carols (6), for string orchestra~Wassail Song
  6.   Suite of Carols (7), arranged for brass choir~I Saw Three Ships
  7.   The Syncopated Clock
  8.   Suite of Carols (7), arranged for brass choir~In dulci jubilo
  9.   Suite of Carols (6), for string orchestra~Pastores A Belén
  10.   Suite of Carols (7), arranged for brass choir~March Of The Kings
  11.   Suite of Carols (6), arranged for woodwind ensemble~Coventry Carol
  12.   Sleigh Ride/Jingle Bells
  13.   Blue Tango
  14.   Suite of Carols (6), arranged for woodwind ensemble~Angels In Our Fields
  15.   Suite of Carols (7), arranged for brass choir~Lo, How A Rose E're Blooming
  16.   Angels in Our Fields featuring Leroy Anderson & His Ochestra
  17.   Lady in Waiting
  18.   Horse & Buggy, for orchestra
  19.   Jazz Pizzicato
  20.   A Christmas Festival, for orchestra (original version)
  21.   Suite of Carols (6), for string orchestra~O Little Town Of Bethlehem
  22.   Wassail Song featuring Leroy Anderson & His Ochestra
  23.   Saraband
  24.   Suite of Carols (6), for string orchestra~Bring A Torch Jeanette & Isabella
  25.   Coventry Carol featuring Leroy Anderson & His Ochestra
  26. See All Songs

Stations & Shows Featuring
Leroy Anderson

    On Air

    Classical Holiday

    On Air

    Top Christmas Hits

    On Air

    Yuletide Classics

    On Air

    Holiday Party

    On Air

    The Wolf's Christmas Classics

    On Air

    Jeff & Jenn's Christmas Channel

    On Air

    Big Dave's Christmas Favorites

    On Air

    Holiday Deep Dive

    On Air

    '50s Deep Dive


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