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The Alarm

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With idealistic spirit, a powerhouse live show, and bigger than big hair, the Alarm were part of an early-'80s wave of bands (the Call, Big Country, and the Waterboys among them) who dealt in soaring anthems inspired by the righteous idealism of punk. Clearly influenced by the impassioned political fervor of the Clash, the Alarm also worked in a mostly acoustic, folk-punk vein that provided a counterpoint to their hard-driving guitar rockers. Their stage look was unquestionably a product of the '80s, with enormous spiked-up hair accompanying a cowboy/old-time cavalry wardrobe. Yet the numerous comparisons to U2 in the press were not unfounded; despite a more conservative sonic palette, the Alarm had much the same earnest intensity, the same messianic ambitions, even the same vague spirituality. Likewise, the Alarm seemed to covet a mainstream breakthrough in the vein of The Joshua Tree's conquest of the pop charts, and polished up their sound accordingly, with mixed creative results. The British music press habitually savaged their records as derivative and pretentious, but this meant little to their zealous following who supported the band to the tune of over 5 million sales worldwide and 16 Top 50 UK singles. The Alarm was formed in Rhyl, Wales in 1981 by vocalist/guitarist Mike Peters, who'd started out in a local punk band called the Toilets along with Alarm drummer Nigel Twist (b. Nigel Buckle). When that band broke up, Peters -- then playing bass -- formed a new outfit called Seventeen (after the Sex Pistols song) with guitarists Eddie MacDonald and Dave Sharp (b. Dave Kitchingman), both local scenesters and longtime friends. Seventeen was initially influenced by the Pistols, the Clash, the mod-revival punk of the Jam, and the punk-pop of ex-Pistol Glen Matlock's Rich Kids. As their songwriting interests grew more socially conscious, and in early 1981, the group reinvented itself as the Alarm, taking the name from a Seventeen song called "Alarm Alarm." Later that year, they moved to London and self-released their debut single, a Peters/MacDonald-penned political rocker called "Unsafe Building," backed with Sharp's folk-punk tune "Up for Murder." By this time, MacDonald and Peters had switched instruments, with Peters taking up rhythm guitar and MacDonald moving to bass. In 1982, the Alarm signed with IRS and issued another single, "Marching On." On the strength of their live shows, U2 tapped them to open their 1983 supporting tour for War, which helped make the group's next single, the Stephen King retelling "The Stand," into an underground hit. The Alarm's self-titled debut EP appeared later in 1983, compiling previous single releases, and setting the stage for the release of their first proper album, Declaration, in 1984. A Top Ten U.K. hit, Declaration spun off several popular singles, including the Seventeen holdover "Sixty-Eight Guns" (which made the pop Top 20), "Where Were You Hiding When the Storm Broke?" (which just missed), "The Deceiver," and the live staple "Blaze of Glory." Non-LP singles followed in a cover of "The Bells of Rhymney," the new wave dance tune "The Chant (Has Just Begun)," and the British Top 40 hit "Absolute Reality." The Alarm's sophomore effort, 1985's Strength, was another U.K. success, and brought them into the Top 40 of the U.S. album charts for the first time; additionally, the single "Spirit of '76" was a Top 40 U.K. hit. Strength displayed greater subtlety and maturity in both their songwriting and arrangements, and was often hailed as the group's best overall album. The Alarm took a break after the supporting tour, and returned in 1987 with Eye of the Hurricane, which featured more polished, mainstream production reminiscent of U2. The gambit helped them gain some rock radio play in America with the singles "Presence of Love," "Rescue Me," and especially the more danceable "Rain in the Summertime," and they landed a tour slot supporting Bob Dylan. A concert EP, Electric Folklore: Live, followed in 1988. 1989's Change was an homage to the group's native Wales, and was accompanied by an alternate Welsh-language version, Newid. Produced by Tony Visconti, Change spawned the group's biggest modern rock radio hit in America, the bluesy "Sold Me Down the River," which also put them in the U.S. pop Top 50 for the first and only time. "Devolution Working Man Blues" and "Love Don't Come Easy" also earned radio airplay, and the track "A New South Wales" boasted an appearance by the Welsh Symphony Orchestra. Although it was hugely popular in Wales, it didn't sell as well as the group's earlier works, and internal band dissension -- exacerbated by deaths in both Peters and Twist's families -- made 1991's Raw the original Alarm's final effort. "The Road" was their final radio hit, but with the band's impending breakup, IRS found little reason to promote it. Mike Peters and Dave Sharp both embarked on solo careers. Sharp issued albums in 1991 and, after relocating to New Orleans, in 1996. Peters, meanwhile, issued his solo debut in 1995 and was subsequently diagnosed with lymphoma; fortunately, the "cancer" turned out to be benign, and Peters completed two more solo records before forming Colorsound with former Cult guitarist Billy Duffy. Peters subsequently reunited the original Alarm lineup for several live appearances, and then formed a new unit consisting of guitarist James Stevenson (Gene Loves Jezebel, Chelsea), bassist Craig Adams (the Cult, the Mission UK, Sisters of Mercy), and drummer Steve Grantley (Stiff Little Fingers). In February 2004, this lineup of the Alarm pulled off a masterful hoax on the British music industry by issuing a garagey punk-pop single, "45 RPM," under the fictitious name the Poppy Fields. Peters, having gotten positive feedback on the song, decided to disassociate it from his veteran band to have it judged on its own merits, and recruited a young Welsh group called the Wayriders to lip-sync the song in the video. The so-called Poppy Fields took "45 RPM" into the U.K. Top 30 before the hoax was revealed, setting the stage for the new Alarm's first album together, In the Poppy Fields. Soon after the album's release, production for a film based on Peters' manipulating of the music industry began with Shrek producer John H. Williams backing the project. ~ Steve Huey
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Albums by
The Alarm

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    13 songs

    On Air

    Spirit of '86

    30 songs

    On Air

    When the Storm Broke

    11 songs

    On Air

    Vinyl

    15 songs

    On Air

    Direct Action

    22 songs

    On Air

    21

    26 songs

    On Air

    Under Attack [Bonus DVD]

    17 songs

    On Air

    Change [1989-1990] Remastered

    13 songs

    On Air

    In the Poppy Fields

    15 songs

    On Air

    Standards

    18 songs

    On Air

    Greatest Hits Live

    15 songs

    On Air

    Raw

    14 songs

    On Air

    Change

    10 songs

    On Air

    Eye of the Hurricane

    10 songs

    On Air

    Strength

    1 song

    On Air

    Superchannel [UK Single]

    18 songs

    On Air

    Collection

    3 songs

    On Air

    Guerilla Tactics

    4 songs

    On Air

    In the Poppy Fields EP

    11 songs

    On Air

    Strength [30th Anniversary Edition]

    10 songs

    On Air

    The Alarm

    17 songs

    On Air

    Change: 1989-1990 [Bonus Tracks]

    21 songs

    On Air

    Eye of the Hurricane [Expanded]

    14 songs

    On Air

    68 Guns

    17 songs

    On Air

    Strength [Bonus Tracks]

See All Albums

Top Songs by
The Alarm

  1.   Song
    Popularity
  2.   Sixty Eight Guns
  3.   Rescue Me
  4.   Rain in the Summertime
  5.   The Stand
  6.   Happy Xmas (War Is Over)
  7.   Sold Me Down the River
  8.   Strength
  9.   Shelter
  10.   Where Were You Hiding When the Storm Broke?
  11.   Rockin' in the Free World
  12.   Happy Christmas (War Is Over)
  13.   Knocking on Heaven's Door
  14.   Without a Fight
  15.   The Rock and Roll
  16.   Love Don't Come Easy
  17.   Rat Trap
  18.   Spirit of '76
  19.   Alarm Alarm
  20.   Control
  21.   After The Rock And Roll Has Gone
  22.   Come Alive
  23.   Few and Far Between
  24.   It's Alright/It's OK
  25.   Raindown
  26. See All Songs

Stations & Shows Featuring
The Alarm

    On Air

    U2: DNA

    On Air

    Stormy Weather

    On Air

    '80s Alternative

    On Air

    New Wave Deep Dive

    On Air

    Neil Young: DNA

    On Air

    '80s Rock

    On Air

    Classic Alternative

    On Air

    Adult Alternative

    On Air

    Rock The Halls


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