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A Certain Ratio

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Biography

A Certain Ratio were key to their native Manchester, England scene and consequently post-punk. The band debuted in 1979 with "All Night Party," a single as astringent as anything else out at the time; then they separated themselves by incorporating aspects of other forms, most prominently brass-spiked funk. During ACR's early years with Factory Records, the Top Ten of the U.K. independent singles chart included seven of their titles, highlighted by "Flight" and "Waterline," and the band issued five albums including The Graveyard and the Ballroom (1980) and Sextet (1982). Following late-'80s and early-'90s phases with major-label A&M and Rob Gretton's independent Robs Records, ACR were intermittently active. They returned to the studio for Mind Made Up (2008) and since then have continued to perform, with their catalog recirculated through an arrangement with Mute Records. Their first new music in a decade appeared on the anthology ACR: Set (2018), followed by ACR: Box (2019), which featured rare and previously unreleased material. Named after part of a line from Brian Eno's "The True Wheel," A Certain Ratio were formed in 1977 by bassist Jeremy Kerr, guitarist/trumpeter Martin Moscrop, guitarist Peter Terrell, and vocalist/trumpeter Simon Topping. Joy Division manager Rob Gretton caught the fledgling quartet live and spread the word to Tony Wilson, who signed them to his Factory label and became their manager. The Martin Hannett-produced "All Night Party"/"The Thin Boys" introduced ACR on 7" in 1979, after which drummer Donald Johnson was added to the lineup. Subsequent studio and live sides were released early the following year on cassette as The Graveyard and the Ballroom. Though still stern in disposition, ACR's material had rapidly become suffused with funk. The notion was affirmed later in 1980 with a straightforward cover of Banbarra's deep classic "Shack Up," released on Factory Benelux. Work for the parent label resumed with the heady "Flight," a career highlight and the band's first of seven Top Ten U.K.-independent chart hits. Additional vocalist Martha Tilson joined in time for the 1981 output: To Each..., a grim and sometimes droning full-length, and ACR's last Hannett session; the self-produced 12" single "Waterline" epitomized post-punk funk with electronic enhancements. Between those two releases, "Shack Up," which appeared in the U.S. on the B-side of a 12" from Factory's stateside division, spent ten weeks on Billboard's Top Disco 100 chart, where it peaked at number 46. In 1982, ACR released Sextet and I'd Like to See You Again, albums that diversified the band's sound with post-disco R&B, Latin, Brazilian, and jazz elements, and as Sir Horatio produced a dubwise single. Tilson departed prior to the recording of the latter album. Terrell was gone by year's end. Topping split to join Quando Quango prior to ACR's lone 1983 release, "I Need Someone Tonite," which signaled the full membership of keyboardist Andy Connell. Supplemental singles "Life's a Scream," "Brazilia," and "Wild Party," the last of which featured new member Tony Quigley on saxophone, were dispersed across 1984 and 1985. After Connell, Kerr, and Moscrop ended their association with Kalima (previously known as Swamp Children), ACR recorded just one more album for Factory, 1986's vibrant Force. Connell then devoted his energy to the emergent Swing Out Sister, whose Corinne Drewery was featured on the album's "Bootsy." The remaining members signed to major-label A&M, a short-lived arrangement that resulted in 1989's Good Together and 1990's ACR:MCR. They added Liam Mullan and moved to Robs, an independent operated by Rob Gretton, where they released Up in Downsville in 1992. Creation subsidiary Rev-Ola acquired the rights to most of ACR's back catalog and also released 1994's Looking for a Certain Ratio, a set of remixes carried out by Electronic, the Other Two, Graham Massey, and Sub Sub, among other fellow Mancunians. A second album for Robs, Change the Station, followed in 1997. Although ACR did not release another studio album for over a decade, much of their discography was recirculated in waves throughout the early 2000s on the Soul Jazz and LTM labels. At the same time, their early recordings became touchstones for a new generation of bands that included the Rapture and Franz Ferdinand. Mind Made Up, technically the band's ninth studio release (counting The Graveyard and the Ballroom), was released in 2008 on the French label Le Maquis. An update of their '80s funk-rooted approach, it featured vocals from longtime collaborator Denise Johnson on three songs. LTM reissued the album two years later. ACR continued to perform into the late 2010s, and during 2017-2019 expanded, reissued, and anthologized their catalog once more, this time through Mute Records. The career overview ACR: Set featured new recordings, including a collaboration with fellow Manchester post-punk veteran Barry Adamson. ACR: Box celebrated the band's 40th anniversary with an assortment of other highlights, rarities, and previously unreleased studio material. ~ Andy Kellman
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Top Tracks

  1.   Track
    Popularity
  2.   Skipscada
  3.   Show Case
  4.   Be What You Wanna Be
  5.   Touch
  6.   Below the Canal
  7.   Sesamo Apriti - Corco Vada
  8.   Blown Away
  9.   27 Forever
  10.   Brazilia 6.10
  11.   Won't Stop Loving You
  12.   Sounds Like Something Dirty
  13.   Kether Hot Knives
  14.   Very Busy Man
  15.   Mello
  16.   Make It Happen
  17.   Gum
  18.   Up in Downsville, Pt. 2
  19.   Good Together
  20.   Rialto
  21.   Flight
  22.   Fruit Song
  23.   Flight Won't Stop
  24.   Happy Meal
  25.   Can You Dance
  26.   Bitter Pill
  27.   Thin Grey Line
  28.   Force
  29.   The Planet
  30.   Houses in Motion
  31.   W.S.L.U.
  32.   Dirty Boy
  33.   Unknown
  34.   Piu Lento
  35.   The Runner
  36.   Which Is Reality?
  37.   Way to Escape
  38.   Starlight
  39.   Skunk
  40.   Mind Made Up
  41.   I Feel Light
  42.   Everything Is Good
  43.   Down, Down, Down
  44.   Bird to the Ground
  45.   I Feel
  46.   Guess Who
  47.   Axis
  48.   Hot Knights
  49.   Manik
  50.   Tumba Rhumba
  51.   Son and Heir
  52.   Spirit Dance
  53.   Pole
  54.   Samba 123
  55.   Desire
  56.   Waiting for You
  57.   Your on Your Own
  58.   Some Day
  59.   Listen to the Sound
  60.   Tekno 4 an Answer
  61.   Turn Me On
  62.   Repercussions
  63.   Every Pleasure
  64.   Backs to the Wall
  65.   Inside
  66.   Nostromo a Go Go
  67.   Anthem
  68.   Naked and White
  69.   Fever 103°
  70.   Only Together
  71.   And Then She Smiles
  72.   Si Firmir O Grido
  73.   Bootsy
  74.   Mickey Way
  75.   Genotype/Phenotype
  76.   Strain
  77.   I Fail
  78.   Crippled Child
  79.   Faceless
  80.   All Night Party
  81.   Knife Slits Water
  82.   Crystal
  83.   Winter Hill
  84.   Oceans
  85.   Loss
  86.   Choir
  87.   Forced Laugh
  88.   My Spirit
  89.   Felch
  90.   Do the Du
  91.   And Then Again
  92.   The Fox
  93.   Life's a Scream
  94.   There's Only This
  95.   Wild Party
  96.   Shack Up
  97.   Abracadubra
  98.   Sister Brother
  99.   Loosen Up Your Mind
  100.   Stadium
  101.   Rialto 2006
  102.   Don't You Worry 'Bout a Thing
  103.   Take Me Down
  104.   I'd Like to See You Again
  105.   Golden Balls
  106.   Lucinda
  107.   Groov(e)
  108.   Day One
  109.   BTTW 90
  110.   Suspect
  111.   Funk Off
  112.   Funky Heaven
  113.   Salvador's (Fish)
  114.   Funaezekea
  115.   Back to the Start
  116.   Sommadub
  117.   Wonder Y
  118.   The Big E
  119.   Yeah Boy
  120.   Chior
  121.   Rub Down
  122.   I Need Someone Tonight
  123.   Waterline
  124.   Do du Beep
  125.   Tribeca
  126.   Intro
  127.   Rivers Edge
  128.   Saturn
  129.   Teri
  130.   The Thin Boys
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