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Curtis Mayfield



Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. Judged merely by his records alone, the man's legacy is enormous. As the leader of the Impressions, he recorded some of the finest soul vocal group music of the 1960s. As a solo artist in the 1970s, he helped pioneer funk and helped introduce hard-hitting urban commentary into soul music. "Gypsy Woman," "It's All Right," "People Get Ready," "Freddie's Dead," and "Super Fly" are merely the most famous of his many hit records. But Curtis Mayfield wasn't just a singer. He wrote most of his material at a time when that was not the norm for soul performers. He was among the first -- if not the very first -- to speak openly about African-American pride and community struggle in his compositions. As a songwriter and a producer, he was a key architect of Chicago soul, penning material and working on sessions by notable Windy City soulsters like Gene Chandler, Jerry Butler, Major Lance, and Billy Butler. In this sense, he can be compared to Smokey Robinson, who also managed to find time to write and produce many classics for other soul stars. Mayfield was also an excellent guitarist, and his rolling, Latin-influenced lines were highlights of the Impressions' recordings in the '60s. During the next decade, he would toughen up his guitar work and production, incorporating some of the best features of psychedelic rock and funk. Mayfield began his career as an associate of Jerry Butler, with whom he formed the Impressions in the late '50s. After the Impressions had a big hit in 1958 with "For Your Precious Love," Butler, who had sung lead on the record, split to start a solo career. Mayfield, while keeping the Impressions together, continued to write for and tour with Butler before the Impressions got their first Top 20 hit in 1961, "Gypsy Woman." Mayfield was heavily steeped in gospel music before he entered the pop arena, and gospel, as well as doo wop, influences would figure prominently in most of his '60s work. Mayfield wasn't a staunch traditionalist, however. He and the Impressions may have often worked the call-and-response gospel style, but his songs (romantic and otherwise) were often veiled or unveiled messages of black pride, reflecting the increased confidence and self-determination of the African-American community. Musically he was an innovator as well, using arrangements that employed the punchy, blaring horns and Latin-influenced rhythms that came to be trademark flourishes of Chicago soul. As the staff producer for the OKeh label, Mayfield was also instrumental in lending his talents to the work of other Chi-town soul singers who went on to national success. With Mayfield singing lead and playing guitar, the Impressions had 14 Top 40 hits in the 1960s (five made the Top 20 in 1964 alone), and released some above-average albums during that period as well. Given Mayfield's prodigious talents, it was perhaps inevitable that he would eventually leave the Impressions to begin a solo career, as he did in 1970. His first few singles boasted a harder, more funk-driven sound; singles like "(Don't Worry) If There's a Hell Below, We're All Gonna Go" found him confronting ghetto life with a realism that had rarely been heard on record. He really didn't hit his artistic or commercial stride as a solo artist, though, until Super Fly, his soundtrack to a 1972 blaxploitation film. Drug deals, ghetto shootings, the death of young black men before their time: all were described in penetrating detail. Yet Mayfield's irrepressible falsetto vocals, uplifting melodies, and fabulous funk pop arrangements gave the oft-moralizing material a graceful strength that few others could have achieved. For all the glory of his past work, Superfly stands as his crowning achievement, not to mention a much-needed counterpoint to the sensationalistic portrayals of the film itself. At this point Mayfield, along with Stevie Wonder and Marvin Gaye, was the foremost exponent of a new level of compelling auteurism in soul. His failure to maintain the standards of Super Fly qualifies as one of the great disappointments in the history of black popular music. Perhaps he'd simply reached his peak after a long climb, but the rest of his '70s work didn't match the musical brilliance and lyrical subtleties of Super Fly, although he had a few large R&B hits in a much more conventional vein, such as "Kung Fu," "So in Love," and "Only You Babe." Mayfield had a couple of hits in the early '80s, but the decade generally found his commercial fortunes in a steady downward spiral, despite some intermittent albums. On August 14, 1990, he became paralyzed from the neck down when a lighting rig fell on top of him at a concert in Brooklyn, NY. In the mid-'90s, a couple of tribute albums consisting of Mayfield covers appeared, with contributions by such superstars as Eric Clapton, Bruce Springsteen, and Gladys Knight. Though no substitute for the man himself, these tributes served as an indication of the enormous regard in which Mayfield was still held by his peers. He died December 26, 1999 at the age of 57. ~ Richie Unterberger
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Top Tracks

  1.   Track
  2.   Move on Up
  3.   Superfly
  4.   Freddie's Dead
  5.   Pusherman
  6.   Little Child Runnin' Wild
  7.   (Don't Worry) If There's a Hell Below, We're All Going to Go
  8.   You're So Good to Me
  9.   You Mean Everything to Me
  10.   Something to Believe In
  11.   On and On
  12.   Give Me Your Love
  13.   We the People Who Are Darker Than Blue
  14.   Think
  15.   Eddie You Should Know Better
  16.   Tripping Out
  17.   Miss Black America
  18.   We Got to Have Peace
  19.   Beautiful Brother of Mine
  20.   Right on for the Darkness
  21.   Now You're Gone
  22.   So in Love
  23.   We're a Winner
  24.   Curtis Mayfield
  25.   Ghetto Child - Original
  26.   The Makings of You
  27.   Billy Jack
  28.   Gypsy Woman
  29.   Only You Babe
  30.   People Get Ready
  31.   Rap
  32.   Check Out Your Mind
  33.   Keep on Trippin'
  34.   Love Me
  35.   So You Don't Love Me
  36.   Everybody Needs a Friend
  37.   Cannot Find a Way
  38.   Just Want To Be With You
  39.   Ghetto Child
  40.   She Don't Let Nobody (But Me)
  41.   You Are, You Are
  42.   Do Do Wap Is Strong in Here
  43.   Mr. Welfare Man
  44.   Party Night
  45.   Love Me, Love Me Now
  46.   Show Me Love
  47.   We've Only Just Begun
  48.   A Prayer
  49.   Blue Monday People
  50.   Radio Spot #2
  51.   Amen
  52.   Stare and Stare
  53.   Mother's Son
  54.   For Your Precious Love
  55.   Jealous Man by The Impressions
  56.   If I Were a Child Again
  57.   Back To The World - Live
  58.   Freddy's Dead
  59.   We Gotta Have Peace
  60.   Never Let Me Go by The Impressions
  61.   I'm the One Who Loves You by The Impressions
  62.   Break It Down
  63.   Father Confessor
  64.   Short Eyes/Freak, Freak, Free, Free, Free
  65.   Make Me Believe in You
  66.   Future Song (Love a Good Woman, Love a Good Man)
  67.   P.S. I Love You
  68.   It's Alright
  69.   This Love Is Sweet
  70.   When You Used to Be Mine
  71.   All Night Long
  72.   I'm Gonna Win Your Love
  73.   Keeps Me Loving You
  74.   Party, Party
  75.   This Love Is True
  76.   Breakin' in the Streets
  77.   Body Guard
  78.   We Come in Peace
  79.   Summer Hot
  80.   If You Need Me
  81.   Nobody But You
  82.   Readings in Astrology
  83.   I Plan to Stay a Believer
  84.   When Seasons Change
  85.   Ice 9
  86.   Introduction
  87.   Come Free Your People
  88.   You Get All My Love
  89.   Babydoll
  90.   Toot an' Toot an' Toot
  91.   No Goodbyes
  92.   In Love, In Love, In Love
  93.   Back Against the Wall
  94.   I Mo Git U Sucka
  95.   Who Was That Lady
  96.   People Never Give Up