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Madness

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Biography

Along with the Specials, Madness were one of the leading bands of the ska revival of the late '70s and early '80s. As their career progressed, Madness branched away from their trademark "nutty sound" and incorporated large elements of Motown, soul, and British pop. Although the band managed one crossover American hit in 1983, they remained a British phenomenon, influencing several successive generations of musicians and becoming one of the most beloved groups the country produced during the '80s. The origins of Madness lie in a ska group known as the Invaders, which was formed by Mike Barson, Chris Foreman, and Lee Thompson in 1976. By 1978, the band had changed their name to Morris and the Minors and had added Graham "Suggs" McPherson, Mark Bedford, Chas Smash, and Dan Woodgate to the group. Later in 1978, they changed their name to Madness, in homage to one of their favorite Prince Buster songs. The following year, Madness released their debut single, a tribute to Prince Buster entitled "The Prince," on Two-Tone. The song was a surprise success, reaching the British Top 20. Following its success, the band signed a record contract with Stiff Records and released another Prince Buster song, "One Step Beyond," which climbed to number seven. Madness quickly recorded their debut album, also titled One Step Beyond, with producers Clive Langer and Alan Winstanley. Released toward the end of the year, the album peaked at number two in Britain and it stayed on the charts for well over a year. At the beginning of 1980, the band's third single, "My Girl," peaked at number three. For the next three years, the group had a virtually uninterrupted run of 13 Top Ten singles, during which time they were one of the most popular bands in Britain, rivaled only by the Jam in terms of widespread popularity. Where the Jam appealed to teenagers and young adults, Madness had a broad fan base, reaching from children to the elderly. Which didn't mean their music was diluted -- they continued to expand their sound, both musically and lyrically. In the spring of 1980, Madness released the Work Rest and Play EP, which reached number six on the strength of the EP's lead song, "Night Boat to Cairo." Also during the spring, One Step Beyond was released in the United States, where it peaked at 128. Madness' second album, Absolutely, was released in the fall of 1980. The record peaked at number two on the British charts, but it stalled at number 146, in the U.S. Sire dropped the band after the commercial disappointment of Absolutely, leaving Madness without an American record contract for several years. Back in England, Madness continued to gain momentum, as the group began playing matinee shows on their tours so children under 16 years old could attend the concert. In the fall of 1981, the band released their third album, Seven, which peaked at number five. In January of 1982, Madness hit number four with a cover of Labi Siffre's "It Must Be Love." In March, their streak of Top Ten hits was interrupted when "Cardiac Arrest" stalled at number 14 on the charts, due to radio's reluctance to play the tune. The band bounced back a few months later with "House of Fun," their first number one single. That same month, the hits compilation, Complete Madness, reached number one. Madness returned in the late summer of 1982 with The Rise and Fall, their full-fledged shift to pop. Like their previous albums, it was a British hit, reaching the Top Ten, but it also contained the seeds of their brief American success with the Top Five British single "Our House." The single was released in America on the group's new label, Geffen, and it received heavy airplay from MTV. The music-video television network had previously played the videos for "House of Fun," "It Must Be Love," and "Cardiac Arrest" when the band's albums were unreleased in the United States, thereby setting the stage for "Our House" to become a massive hit. With "Our House," Madness had MTV exposure coincide with a record release for the first time, which sent the single into the American Top Ten in the summer of 1983. The success of the single brought the U.S. compilation album, Madness, to number 41. Madness managed one more American Top 40 hit that fall, when "It Must Be Love" peaked at number 33. At the end of 1983, Mike Barson -- the band's key songwriter -- left the group to settle down with his wife. Although Madness was able to stay near the top of the charts with their first post-Barson release, "Michael Caine," the band's fortunes began to decline over the course of 1984. Upon its release in the spring, Keep Moving hit number six on the British charts; in America, the record reached number 109. In June, the group released its final single for Stiff Records, "One Better Day," which peaked at number 17. In the fall, Madness formed their own record label, Zarjazz. They released "Yesterday's Men," their first recording on Zarjazz, in September of 1985, nearly a year after the label's formation. The record peaked at number 18 and its parent album, Mad Not Mad, reached number 16 upon its October release. Their chart decline continued early in 1986, when their cover of Scritti Politti's "Sweetest Girl" peaked at number 35. For most of 1986, the group was quiet. In September, Madness announced they were disbanding. Two months later, their farewell single, "Waiting for the Ghost Train," was released, charting at number 18. After staying dormant for a year-and-a-half, the group reunited at the beginning of 1988 as a quartet called the Madness, releasing its comeback single, "I Pronounce You," in March. The Madness featured Chris Foreman, Lee Thompson, Chas Smash, and Suggs, and was augmented by the Specials' keyboardists Jerry Dammers and Steve Nieve, and Bruce Thomas (bass) of the Attractions. "I Pronounce You" reached number 44 on the U.K. charts and its accompanying album stiffed upon its spring release. The group disbanded for a second time that fall. In the summer of 1992, the original lineup of Madness reunited to perform two outdoor concerts at London's Finsbury Park. The group dubbed the event Madstock and released a recording of the shows on Go! Records. Madstock became an annual event for the next four years -- every summer the band would reunite and headline an outdoor festival at Finsbury Park. Suggs launched a solo career in 1995 with The Lone Ranger, which performed respectably in the U.K. charts. In 1996, Madness played the final Madstock and announced they planned not to reunite for future concerts, but by 1998 they were back on the road, with a Los Angeles date recorded for release as Universal Madness the following year. The group also reunited with original producers Clive Langer and Alan Winstanley to record their first new material in over a decade. The resulting Dangermen Sessions, Vol 1 was released in 2005, followed in 2009 by The Liberty of Norton Folgate, the group's tenth studio album. In 2011, Madness launched the annual "House of Fun Weeknder," a three-day festival curated by the band in which they performed alongside a wealth of like-minded artists. During 2012, the band took part in high-profile performances that celebrated the best of British culture. They played from the top of Buckingham Palace at the Queen’s Diamond Jubilee party and also appeared in the closing ceremony of the London Olympic Games. As 2012 drew to a close, Madness released a new album called Oui, Oui, Si, Si, Ja, Ja, Da, Da. The group returned in 2016 with their 12th studio effort, Can't Touch Us Now. ~ Stephen Thomas Erlewine
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Top Tracks

  1.   Track
    Popularity
  2.   Our House
  3.   It Must Be Love
  4.   One Step Beyond
  5.   House of Fun
  6.   Madness
  7.   Grey Day
  8.   Baggy Trousers
  9.   Night Boat to Cairo
  10.   My Girl
  11.   Wings of a Dove
  12.   In the Middle of the Night
  13.   Mr. Apples
  14.   Misery
  15.   Clerkenwell Polka
  16.   Can't Touch Us Now
  17.   Herbert
  18.   Razor Blade Alley
  19.   Tarzan's Nuts
  20.   Embarrassment
  21.   My Girl 2
  22.   Overture
  23.   MKII
  24.   Bed and Breakfast Man
  25.   Samantha
  26.   Take It or Leave It
  27.   Chipmunks Are Go!
  28.   Coldest Day
  29.   Rockin' in a Flat
  30.   Lovestruck
  31.   Sarah's Song
  32.   Not Home Today
  33.   Powder Blue - Track by Track
  34.   Kitchen Floor - Track by Track
  35.   On the Beat Pete
  36.   Cardiac Arrest
  37.   Don't Look Back
  38.   Land of Hope and Glory
  39.   Maddley
  40.   We Want Freddie
  41.   Light of the Way
  42.   Dreaming Man
  43.   I Was the One
  44.   Black and Blue - Track by Track
  45.   Small World - Track by Track
  46.   So Alive - Track by Track
  47.   Circus Freaks - Track by Track
  48.   Leon - Track by Track
  49.   Misery - Track by Track
  50.   Whistle in the Dark
  51.   Soul Denying
  52.   Given the Opportunity
  53.   Pam the Hawk
  54.   (Don't Let Them) Catch You Crying
  55.   Don't Leave the Past Behind You
  56.   Mumbo Jumbo
  57.   Another Version of Me
  58.   You Are My Everything
  59.   Blackbird
  60.   Grandslam
  61.   I Believe
  62.   Good Times
  63.   Powder Blue
  64.   Death of a Rude Boy
  65.   Small World
  66.   So Alive
  67.   Leon
  68.   Kitchen Floor
  69.   How Can I Tell You
  70.   La Luna
  71.   Le Grand Pantalon (Baggy Trousers)
  72.   We Are London
  73.   Sugar and Spice
  74.   NW5
  75.   Forever Young
  76.   Dust Devil
  77.   Bingo
  78.   Africa
  79.   Round and Round
  80.   You're Wonderful
  81.   So Much Trouble in the World
  82.   Rain
  83.   You'll Lose a Good Thing
  84.   John Jones
  85.   Israelites
  86.   You Keep Me Hanging On
  87.   Taller Than You Are
  88.   I Chase The Devil AKA Ironshirt
  89.   Shame & Scandal
  90.   Girl Why Don't You?
  91.   This Is Where
  92.   Simple Equation
  93.   The Prince
  94.   My Old Man
  95.   Day on the Town
  96.   The Opium Eaters
  97.   When Dawn Arrives
  98.   Benny Bullfrog
  99.   Promises Promises
  100.   Pac-A-Mac
  101.   Tomorrow's Dream
  102.   Mrs. Hutchinson
  103.   Missing You
  104.   Sign of the Times
  105.   That's the Way to Do It
  106.   The Business
  107.   Driving in My Car
  108.   Shadow on the House
  109.   Never Ask Twice (AKA Airplane)
  110.   Memories
  111.   You Said
  112.   In the Rain
  113.   Overdone
  114.   Disappear
  115.   Shadow of Fear
  116.   Solid Gone
  117.   Close Escape
  118.   E.R.N.I.E.
  119.   A Town With No Name
  120.   Mistakes
  121.   Saturday Night Sunday Morning
  122.   Elysium
  123.   Going to the Top
  124.   Drip Fed Fred
  125.   The Wizard
  126.   4 Am
  127.   Johnny the Horse
  128.   Tomorrow's Just Another Day
  129.   Time
  130.   Burning the Boats
  131.   Sweetest Girl
  132.   Mad Not Mad
  133.   White Heat
  134.   Uncle Sam
  135.   Yesterday's Men
  136.   I'll Compete
  137.   Waltz Into Mischief
  138.   Turning Blue
  139.   Give Me a Reason
  140.   One Better Day
  141.   Victoria Gardens
  142.   Prospects
  143.   Michael Caine
  144.   March of the Gherkins
  145.   Brand New Beat
  146.   The Sun and the Rain
  147.   Keep Moving
  148.   Stepping Into Line
  149.   The Return of the Los Palmas 7
  150.   In the City
  151.   Shut Up
  152.   Calling Cards
  153.   Tiptoes
  154.   Primrose Hill
  155.   Blue Skinned Beast
  156.   Rise and Fall
  157.   Mummy's Boy
  158.   Swan Lake
  159.   Tears You Can't Hide
  160.   Black and Blue
  161.   Don't Quote Me on That
  162.   Never Knew Your Name
  163.   On the Town
  164.   The Communicator
  165.   Suggs & Bedders Track by Track
  166.   The Liberty of Norton Folgate
  167.   That Close
  168.   Dangermen (aka High Wire)
  169.   Circus Freaks
  170.   Uno Paso Adelante
  171.   Rainbows
  172.   Believe Me
  173.   I'm Walkin' by Fats Domino
  174.   Idiot Child
  175.   No Money
  176.   Time for Tea
  177.   If I Didn't Care
  178.   Lola
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