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 | | Through the '90s, Udit Narayan was the closest rival of Kumar Sanu for the title of most popular male playback vocalist in Indian cinema -- no small feat, since films remain the primary vehicle for disseminating popular music to the Indian public. |
 | | Since Roja hit movie screens in South India in 1992, A.R. Rahman has been redefining the country's widely popular film music. |
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 | | Sister of the most influential voice of India, Lata Mangeshkar, Asha Bhosle was born September 8, 1933. |
 | | One of the most prolific singers ever to work in the Indian film industry, Kumar Sanu's recorded output numbers in the thousands of songs, reaching by his estimation over 8,000 by the turn of the millennium. |
 | | Any account of Indian playback music must start with Lata Mangeshkar. While it is not possible to more than list the most important playback singers, one, because of her supreme stature, merits detailed attention. |
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 | | Kishore "Baba" Kumar (born Kishore Kumar Ganguly) was one of India's greatest performers of the late 20th century. |
 | | During the '80s and especially the '90s, Kavita Krishnamurthy (or Krishnamurti, depending on who Anglicizes the spelling) rocketed to stardom as one of the most versatile and technically gifted female singers in the music-reliant Indian film industry. |
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 | | First rising to popularity with the album Sunoh, Lucky Ali introduced a mellow, radio-friendly style of adult alternative songwriting that appealed to a mature audience favoring laid-back music consumption. |
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 | | Mohammed Rafi (born: Mohammed Rafi Sahab) was one of India's greatest playback singers. During his nearly five-decade-long career, he performed an estimated 26,000 songs and was heard in 76 films. |
 | | R.D. Burman has influenced the bollywood music more than any other music director of his times and brought glitzy dance-oriented music to the stagnated techniques of the '70s. |
 | | Anu Malik (aka Anwar Malik) never denied plagiarism; he never discounted plagiarism, either. Despite continuous criticism for picking tunes from illustrious as well as obscure sources, Malik has his finger on the pulse of the commercial mainstream music of India and has delivered hits that are lovable, delightful, and above all marketable to Bollywood's regular audience. |
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 | | Following the popular practice in Bollywood music where individuals with varied musical backgrounds collaborate together, Shankar Ehsaan Loy are the first Bollywood trio of music composers. |
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 | | Mukesh (1923-1976) is remembered as one of the finest voices of Indian popular music................ |
 | | Aesthetically and culturally inclined toward Bengali music, S.D. Burman started his career with Bengali films in 1937. |
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 | | Punjabi pop sensation Daler Mehndi was born and raised in Benares, North India; he began singing at the age of five, and at 14 left home to study with his uncle, Raahat Ali Khan Saheb, honing not only his vocal skills but also learning the tabla, harmonium and tanpura. |
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 | | With his deep but passionate voice and melodic sensibility, Hemant Kumar (born Hemanta Kumar Mukherjee) helped steer the evolution of post-World War II Indian music. |
 | | The New Delhi-born Bally Sagoo grew up in Britain where he established a reputation as one of the more happening purveyors of dance music. |
 | | Without doubt the most important qawwal is Nusrat Fateh Ali Khan & Party -- "Party" is a generic term for a qawwali ensemble but is also used in Sikhism and to describe some classical music ensembles, for example, shehnai maestro Bismillah Khan & Party. |
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 | | One of the most popular of the South Indian, Madras-based playback singers, S.P. Balasubramanyam -- or Balasubramaniam since there is often no correct transliteration, only accepted spelling(s) -- has also scored successes in the Hindi film industry as a Hindi-language singer and, since a cameo role in Manathil Urudhi Vendum, as an actor. |
 | | Initially Alisha Chinai was hailed as the Babydoll of India. An image change later, she was the Indian Madonna. |
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 | | Bappi Lahiri's work is the epitome of modern Indian songwriting. His music blasts out of car radios and ghetto blasters wherever Indian popular music is heard. |
 | | Geeta Dutt (born Geeta Roy) was one of the most influential vocalists in the history of Indian cinema. |
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 | | One of the most influential actors and directors of Indian films, Raj Kapoor had a master's touch for successfully incorporating music into his movies. |