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The Complete A&M Recordings

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Joan Baez 9/23/2003

Review

A month-and-a-half after the release of her first studio recording in six years, and perhaps her finest recording since 1975's Diamonds & Rust, Joan Baez's complete A&M recordings offer a revelatory view of the artist at her most adventurous. Baez's tenure with A&M lasted from 1972-1976 and yielded five studio albums, a live recording, and three non-album singles. All of them are included here on four CDs with gorgeously remastered sound, a deluxe package with exhaustive, insightful, and unflinching liner notes by Arthur Levy, and a package that should win a Grammy for design and presentation if nothing else. Baez, regarded in the popular culture at large as a "folk" or "topical" singer (the latter term she would not refute, the former hasn't fit her for some time), has always been a restless artist. This box set offers proof that Baez's switch to A&M -- then an independent, now swallowed whole by Universal -- from Vanguard, facilitated a virtual renaissance for her not just creatively, but on the charts as well. This reappraisal is necessary, given Baez's most recent recordings have reflected another shift in her sound and concerns, away from being a songwriter to being an interpreter of fine, edgy, roots songs by a whole slew of younger writers -- and her seeming embrace of the electric guitar. The earliest evidence of Baez's rambling vision can be heard on her experimental album Baptism, from 1968. Upon moving to A&M, and recording from her Nashville studio base, Baez released her self-produced Come From The Shadows (with help from Norbert Putnam), featuring -- like her latter day Vanguard recordings -- a host of Nashville's finest musicians, which included David Paul Briggs, Pete Drake, Kenneth A. Buttrey, Charlie McCoy, and Grady Martin. It was certainly a political record, but it also included the stunning "Love Song To A Stranger," and her sister Mimi Fariña's "In The Quiet Morning," written in memory of Janis Joplin. The other half of Disc One is comprised of Where Are You Now, My Son from 1973, co-produced by Baez and Henry Lewy. It included a slew of originals by Baez, including the title track, a pair of songs by Fariña, and Hoyt Axton's "Less Than A Song." Most importantly, it was a move toward something outside of the country-rock realm she'd been toying with. That "something" first occurs on Disc Two with her traditional album of Latin folk and topical songs from Gracias a la Vida, and, of course, 1975's Diamonds and Rust with David Kershenbaum helping her out in the production room. The latter album, heard so many years after the fact of its inception and release, has Baez experimenting with soul -- Stevie Wonder's "Never Dreamed You'd Leave in Summer"; hard country: Dickey Betts' "Blue Sky,"; and moving around toward Dylan once again, as she was part of the Rolling Thunder Review, with a stellar version of "Simple Twist Of Fate," as well as the legendary title track. Along with it, Baez wrote four songs, and recorded others by John Prine, and Jackson Browne, and offered a deeply moving rendition of Stephen Foster's "I Dream of Jeannie" melded with "Danny Boy." It was the masterpiece that both critics and fans knew she was capable of delivering and had been leading up to since Blessed Are.., her final album for Vanguard. It, along with most everything here, has aged well and endures. Disc Three features the second half of Diamonds and Rust, and another fine, if criminally under-appreciated, album Gulf Winds, released in October of 1976 and comprised entirely of Baez originals. Disc Four features one of the best live recordings from the 1970s, From Every Stage, compiled from a handful of shows and not enhanced in any way. Some of the members of her road band included no less than one of Motown's Funk Brothers in bassist James Jamerson, drummer Jim Gordon, pianist David Briggs, and guitarist Larry Carlton. Moving across the space of her entire career, it is a moving, engaging, and utterly transcendent recording, offered in an era when live records sucked -- they were no longer live but edited heavily in the studio. This box features each album's original liner notes, as well as a host of stunning photographs. But besides the elegant package, the music tells the story of an artist who pushed herself beyond the laurels of her living legend, who worked at trying to find, in the swirling winds of change, a complexity outside her accepted norm, and finally, a relevant, constantly evolving place for herself as an artist. The evidence is in: she succeeded in spades. ~ Thom Jurek
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  1. # Track Artist Length
  2. 1 Prison Trilogy (Billy Rose) Joan Baez 4:21
  3. 2 Rainbow Road Joan Baez 2:59
  4. 3 Love Song to a Stranger Joan Baez 3:49
  5. 4 Myths Joan Baez 3:16
  6. 5 In the Quiet Morning Joan Baez 2:52
  7. 6 Weary Mothers (People's Union, No. 1) Joan Baez 3:27
  8. 7 To Bobby Joan Baez 3:57
  9. 8 Song of Bangladesh Joan Baez 4:48
  10. 9 A Stranger in My Place Joan Baez 3:3
  11. 10 Tumbleweed Joan Baez 3:28
  12. 11 The Partisan Joan Baez 3:12
  13. 12 Imagine Joan Baez 3:23
  14. 13 Where Are You Now My Son? Joan Baez 21:39
  15. 14 Only Heaven Knows (Ah, The Sad Wind Blows) Joan Baez 2:34
  16. 15 Less Than the Song Joan Baez 3:25
  17. 16 A Young Gypsy Joan Baez 3:35
  18. 17 Mary Call Joan Baez 3:32
  19. 1 Rider Pass By Joan Baez 4:12
  20. 2 Best of Friends Joan Baez 3:1
  21. 3 Windrose Joan Baez 3:41
  22. 4 Gracias a la Vida (Here's to Life) Joan Baez 3:33
  23. 5 Llego Con Tres Heridas (I Come With Three Wounds) Joan Baez 2:10
  24. 6 La Llorona (The Weeping Woman) Joan Baez 3:38
  25. 7 El Preso Numero Nueve (Prisoner Number Nine) Joan Baez 3:23
  26. 8 Guantanamera Joan Baez 3:48
  27. 9 Te Recuerdo Amanda (I Remember Amanda) Joan Baez 2:30
  28. 10 Dida Joan Baez 3:32
  29. 11 Cucurrucucu Paloma Joan Baez 4:28
  30. 12 Paso Rio (I Pass a River) Joan Baez 0:56
  31. 13 El Rossinyol (The Nightingale) Joan Baez 3:0
  32. 14 De Colores (In Colors) Joan Baez 2:26
  33. 15 Las Madres Cansadas (All the Weary Mothers of the Earth/People's Union No. Joan Baez 2:53
  34. 16 No Nos Moveran (We Shall Not Be Moved) Joan Baez 3:38
  35. 17 Esquinazo del Guerrillero (The Guerilla's Serenade) Joan Baez 2:40
  36. 18 Johnny, I Hardly Knew Yeh Joan Baez 3:19
  37. 19 Where's My Apple Pie? Joan Baez 3:58
  38. 20 Forever Young Joan Baez 3:50
  39. 21 Diamonds & Rust Joan Baez 4:40
  40. 22 Fountain of Sorrow Joan Baez 4:28
  41. 23 Never Dreamed You'd Leave in Summer Joan Baez 2:42
  42. 1 Children and All That Jazz Joan Baez 3:6
  43. 2 Simple Twist of Fate Joan Baez 4:40
  44. 3 Blue Sky Joan Baez 2:43
  45. 4 Hello in There Joan Baez 3:2
  46. 5 Jessie Joan Baez 4:26
  47. 6 Winds of the Old Days Joan Baez 3:53
  48. 7 Dida Joan Baez 3:22
  49. 8 I Dream of Jeannie/Danny Boy Joan Baez 4:8
  50. 9 Sweeter for Me Joan Baez 4:26
  51. 10 Seabirds Joan Baez 4:28
  52. 11 Caruso Joan Baez 3:40
  53. 12 Still Waters at Night Joan Baez 2:59
  54. 13 Kingdom of Childhood Joan Baez 7:47
  55. 14 O Brother! Joan Baez 3:16
  56. 15 Time Is Passing Us By Joan Baez 3:42
  57. 16 Stephanie's Room Joan Baez 4:2
  58. 17 Gulf Winds Joan Baez 10:25
  59. 1 (Ain't Gonna Let Nobody) Turn Me Around Joan Baez 2:44
  60. 2 Blessed Are Joan Baez 2:47
  61. 3 Suzanne Joan Baez 4:17
  62. 4 Love Song to a Stranger, Pt. 2 Joan Baez 4:47
  63. 5 I Shall Be Released Joan Baez 2:10
  64. 6 Blowin' in the Wind Joan Baez 2:30
  65. 7 Stewball Joan Baez 4:29
  66. 8 Natalia Joan Baez 3:59
  67. 9 The Ballad of Sacco & Vanzetti Joan Baez 4:22
  68. 10 Joe Hill Joan Baez 2:58
  69. 11 Love Is Just a Four-Letter Word Joan Baez 3:16
  70. 12 Forever Young Joan Baez 3:36
  71. 13 Diamonds & Rust Joan Baez 4:15
  72. 14 Boulder to Birmingham Joan Baez 3:59
  73. 15 Swing Low, Sweet Chariot Joan Baez 3:40
  74. 16 Oh, Happy Day Joan Baez 3:27
  75. 17 Please Come to Boston Joan Baez 4:10
  76. 18 Lily, Rosemary and the Jack of Hearts Joan Baez 8:45
  77. 19 The Night They Drove Old Dixie Down Joan Baez 3:26
  78. 20 Amazing Grace Joan Baez 4:23

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