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Boyz II Men



According to no less an authority than the RIAA, Boyz II Men are the most commercially successful R&B group of all time. They sold ludicrous numbers of records and were involved in three of the longest-running number one pop singles in history, and they did it as a unit of equals. In fact, their four-part harmonies blended so smoothly that most of the general public would be hard-pressed to name any of the group's individual members. And that's no reflection on their skill as singers; Boyz II Men were among the first male R&B artists to adopt the sort of hyper-technical melodic embellishments that were popularized by virtuosic divas like Whitney Houston and Mariah Carey. Their early music was indebted to new jack swing, but the group quickly found their forté in lush, soulful ballads, where their harmonies could be showcased to greatest effect. Boyz II Men haven't duplicated their incredible early-'90s commercial success, but they have remained relevant -- even as mainstream R&B has devalued vocal groups -- as a touring act with occasional studio sessions heavy on tasteful interpretations. Boyz II Men were formed in 1988 at Philadelphia's High School of the Creative and Performing Arts. Founding members Nathan Morris and Marc Nelson had been singing together for several years, but had trouble keeping a group together simply due to members graduating. Things finally stabilized when they hooked up with Wanya Morris, Shawn Stockman, and bass vocalist Michael McCary. Calling themselves Unique Attraction, the quintet performed a well-received Valentine's Day show for their school and developed a repertoire that leaned heavily on New Edition songs (one of which, "Boys to Men," gave them their name). Their big break came in 1989, when they snuck backstage at a Bell Biv DeVoe concert and wowed group member Michael Bivins (also formerly of New Edition, and a budding music entrepreneur) with an a cappella version of New Edition's "Can You Stand the Rain." Bivins offered them a deal right there, but Nelson would not stick around to be part of it; personality conflicts led to his departure soon after (he later resurfaced as a member of Az Yet). Down to a quartet, Boyz II Men entered the studio to record their debut album, Cooleyhighharmony, for the legendary Motown Records. Backed by the new jack production then in vogue, they dubbed their sound "hip-hop doo wop," though as a vocal harmony group they were more indebted to R&B of the '60s and '70s. Cooleyhighharmony was released in 1991, and its first single, the uptempo dance track "Motownphilly," rocketed up the charts, going Top Five pop and number one R&B on its way to platinum sales. The a cappella ballad "It's So Hard to Say Goodbye to Yesterday," a cover of a song from the film Cooley High, also hit the pop Top Five and topped the R&B chart, and went gold. Meanwhile, the album won a Grammy for Best R&B Vocal Performance by a Duo or Group. Boyz II Men joined MC Hammer's Too Legit to Quit tour in 1992, but tragedy struck when tour manager Khalil Roundtree was shot and killed in Chicago. The group rededicated "It's So Hard to Say Goodbye to Yesterday" to him. The tragedy notwithstanding, Boyz II Men had had an extremely auspicious beginning to their career. Still, nothing could have foreshadowed the group's Midas touch over the next few years. Briefly entering the studio in between concert gigs, Boyz II Men cut a smooth Babyface ballad called "End of the Road" for the soundtrack of the Eddie Murphy film Boomerang. Released as a single, it became not just a blockbuster, but one of the biggest hits in history; it spent 13 weeks at number one on the pop charts, an incredible run that broke the record of 11 weeks Elvis Presley had held ever since 1956 with the double-sided single "Don't Be Cruel"/"Hound Dog." "End of the Road" won a slew of awards and cemented Boyz II Men's star status beyond any doubt; while crafting their next album during 1993, the group released a couple of placeholders: a Top Five cover of the Five Satins' doo wop classic "In the Still of the Nite," from the TV movie The Jacksons: An American Dream, and the holiday album Christmas Interpretations. (Also that year, Whitney Houston's "I Will Always Love You" broke "End of the Road"'s record with 14 weeks at number one.) The post-"End of the Road" buzz helped make Boyz II Men's next album, II, an instant smash when it arrived in 1994, even though it didn't include "End of the Road." Produced by the likes of Babyface and Jimmy Jam & Terry Lewis, rather than Bivins (who wanted to concentrate on developing new artists), II debuted at number one on its way to sales of over 12 million copies. The first single, "I'll Make Love to You" (also penned by Babyface), raced up the charts and wound up tying Houston's short-lived record, with 14 weeks of its own at number one -- a staggering feat in itself, made all the more amazing by the fact that the group had already set the record once. Moreover, the follow-up single, "On Bended Knee," actually replaced "I'll Make Love to You" at number one for a six-week run of its own; only Elvis and the Beatles had ever replaced themselves at number one. "Thank You" was a relative flop, not quite making the pop Top 20, but "Water Runs Dry" returned them to the Top Five, falling one slot short of number one. Boyz II Men spent much of 1995 touring the U.S. and beyond in support of II, and also opened their own recording studio. They spent some time recording collaborations with other artists: Wanya Morris duetted with Brandy on the hit "Brokenhearted," and the whole group sang on Michael Jackson's "History" and LL Cool J's "Hey Lover." The biggest one, however, was a song done with Mariah Carey called "One Sweet Day." Featuring two of the biggest chart powerhouses in the industry, "One Sweet Day" was virtually a guaranteed blockbuster, and it went on to spend 16 weeks at number one on the pop chart, debuting there in December 1995; it was the third such record-setting single of Boyz II Men's career. Over the group's objections, Motown released a piece of cash-in product titled The Remix Collection in late 1995; in retaliation, Boyz signed a distribution deal with Sony, not Motown, for their new vanity label, Stonecreek. It was the beginning of a souring relationship that only worsened upon the release of Boyz II Men's next album, Evolution, in 1997. The record started out strong, debuting at number one and sending "4 Seasons of Loneliness" to the same position on the singles charts; its Top Ten follow-up, "A Song for Mama," gave Boyz II Men their record-setting seventh platinum single. However, Motown was unable to throw its full promotional muscle behind the record (perhaps because of their transition to a new label president), meaning that Evolution didn't have the shelf life of II, selling only two million copies. The group was also forced to postpone parts of their supporting tour when Wanya Morris developed a benign polyp on his vocal cords. He recovered fully, though, and in early 1999, amid major record company mergers, the group had their contract transferred from Motown to Universal. For their next album, Boyz II Men assumed greater control over songwriting and production, handling a greater share of each by themselves. The resulting record, Nathan Michael Shawn Wanya, was released in 2000, went gold, and produced a smaller-scale hit in "Pass You By." The group subsequently signed with Arista Records. In summer 2002, Boyz II Men kept with their sophisticated approach for the aptly titled release Full Circle. Michael McCary left the group in 2003 due to problems with scoliosis. In 2004, the remaining members released Throwback, an album filled with covers of their favorite songs. Their 2006 effort, The Remedy, was initially only available in Japan until a year later when it was released through the band's official website. The tribute album Motown: A Journey Through Hitsville USA was also released in 2007. It featured production from American Idol judge Randy Jackson plus an a cappella version of "End of the Road." Two years later Jackson was back as producer of their third all-covers album, Love. Another release for Japan, Covered: Winter, consisted of Japanese pop covers. During the 2010s, Boyz II Men continued to tour frequently and recorded with support from various independent and major labels. The group marked their 20th anniversary in 2011 with Twenty, which offered a set of new material and a collection of re-recordings. Three years later, the trio returned with Collide, a stylistically diverse set of originals written by collaborators. Under the Streetlight, released through Sony Masterworks in 2017, featured three songs recorded with longtime peer Brian McKnight and one made with fellow veteran vocal group Take 6. ~ Steve Huey
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Top Tracks

  1.   Track
  2.   End of the Road
  3.   I'll Make Love to You
  4.   On Bended Knee
  5.   One Sweet Day
  6.   Motownphilly
  7.   Water Runs Dry
  8.   It's So Hard to Say Goodbye to Yesterday
  9.   Let It Snow! Let It Snow! Let It Snow!
  10.   A Song for Mama
  11.   Silent Night
  12.   Cold December Nights
  13.   Yesterday
  14.   Why Christmas
  15.   You're Not Alone
  16.   Please Don't Go
  17.   Uhh Ahh
  18.   Can You Stand the Rain
  19.   Doin' Just Fine
  20.   In the Still of the Nite (I'll Remember)
  21.   4 Seasons of Loneliness
  22.   Share Love
  23.   Do They Know
  24.   Trying Times
  25.   Who Would Have Thought
  26.   A Joyous Song
  27.   Lonely Heart
  28.   Got to Be There
  29.   Motownphilly by Committed
  30.   Human Nature
  31.   Ladies Man
  32.   50 Candles
  33.   This Is My Heart
  34.   Al Final del Camino (End of the Road)
  35.   I Will Get There
  36.   I Can't Make You Love Me
  37.   I Do
  38.   Open Arms
  39.   I'll Show You
  40.   Under Pressure
  41.   Why Do Fools Fall in Love by Jimmy Merchant
  42.   Iris
  43.   Easy
  44.   Pass You By
  45.   Vibin'
  46.   Thank You
  47.   Khalil (Interlude)
  48.   Tears on My Pillow by Brian McKnight
  49.   Stay
  50.   Better Half
  51.   Cupid
  52.   What You Won't Do for Love
  53.   I'm OK, You're OK
  54.   Never
  55.   All This Love
  56.   Sympin
  57.   Up On the Roof
  58.   Collide
  59.   Diamond Eyes
  60.   Time After Time
  61.   Back for Good
  62.   End of the Road he Road)
  63.   Can't Be Liked
  64.   Ribbon in the Sky
  65.   It's the Same Old Song/Reach Out I'll Be There
  66.   Time Will Reveal
  67.   Sara Smile
  68.   For the Love of You
  69.   Close the Door
  70.   Cutie Pie
  71.   Let It Whip
  72.   You Make Me Feel Brandnew
  73.   Howz About It
  74.   Roll Wit Me
  75.   On the Road Again
  76.   Oh Well
  77.   The Color of Love
  78.   Relax Your Mind by Faith Evans
  79.   Beautiful Woman
  80.   Lovely
  81.   Never Go Away
  82.   Dreams
  83.   Your Home Is in My Heart (Stella's Love Theme)
  84.   La Chica de la Revista (Girl in the Life Magazine)
  85.   All Night Long
  86.   Me Rindo Ante Ti (On Bended Knee)
  87.   Yo Te Voy a Amar (I'll Make Love to You)
  88.   Your Love
  89.   Can't Let Her Go
  90.   Anyone Who Knows What Love Is by Amber Riley
  91.   A Sunday Kind of Love by Brian McKnight
  92.   I Only Have Eyes for You
  93.   A Thousand Miles Away by Take 6
  94.   So What
  95.   Already Gone
  96.   Don't Stop
  97.   Believe Us
  98.   Underwater
  99.   Losing Sleep
  100.   More Than You'll Ever Know
  101.   When I Fall in Love
  102.   If You Leave Me Now
  103.   Amazed
  104.   War
  105.   I Was Made to Love Her
  106.   The Tracks of My Tears
  107.   I Miss You
  108.   Let's Stay Together
  109.   Luv N U
  110.   Makin' Love (Interlude)
  111.   Do You Remember
  112.   The Birth of Christ
  113.   Not Me
  114.   Una Canción Para Mamá (A Song for Mama)
  115.   Te Doy Mi Amor (I Can Love You)
  116.   4 Estaciones de Soledad (4 Seasons of Loneliness)
  117.   Ain't a Thang Wrong
  118.   Thank You in Advance
  119.   Shining Star
  120.   Whatcha Need
  121.   No Dejemos Que Muera el Amor (Water Runs Dry)
  122.   I'll Come Running Back to You by Brian McKnight
  123.   As Long as I'm with You
  124.   What Happens in Vegas
  125.   Me Myself and I
  126.   In My Life
  127.   Just a Cover Up
  128.   Ain't Nothing Like the Real Thing
  129.   Money (That's What I Want)
  130.   Mercy Mercy Me (The Ecology)
  131.   Just My Imagination (Running Away With Me)
  132.   Right on Time
  133.   Good Guy
  134.   I Finally Know
  135.   What the Deal
  136.   Bounce, Shake, Move, Swing
  137.   So Amazing
  138.   Jezzebel
  139.   I Sit Away
  140.   All Around the World
  141.   A Mi Me Va Bien (Doin' Just Fine)
  142.   To the Limit
  143.   Baby C'mon
  144.   Girl in the Life Magazine
  145.   Little Things
  146.   Misty Blue
  147.   U Know
  148.   Know What You Want
  149.   Step on Up
  150.   That's Why I Love You
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