Singer/guitarist Jason Pierce formed his group Spiritualized from the ashes of trance-rockers Spacemen 3, combining his prior band's trademark hypnotic minimalism with uplifting atmospheric lightness that reached a peak with their 1997 classic Ladies and Gentlemen We Are Floating in Space and the 2001 international chart success Let It Come Down. With extended gaps between releases, Spiritualized continued into the 2010s with Sweet Heart, Sweet Light and And Nothing Hurt.
Influenced by the Velvet Underground, La Monte Young, and Steve Reich, Spiritualized staked out a common ground between minimalism and lush symphonics. While powered by simple, repetitious motifs, their songs simultaneously blossomed into rich, shimmering sonic panoramas inspired by the majestic studio wizardry of Phil Spector and Brian Wilson. Their very name acknowledged the existence of other forces, further reflected in their heavy debt to gospel and soul music as well as an affinity for mantras and devotional hymns.
Although Spiritualized fully emerged after the acrimonious breakup of Spacemen 3, the band's roots extended back to that group's final LP, 1990's Recurring. A Spacemen 3 album in name only, Recurring was split evenly between independently recorded work from Pierce and estranged partner Pete "Sonic Boom" Kember; as a result, while Kember's side presaged his eventual work with Spectrum, Pierce's half, recorded with most of the musicians who would later be featured in Spiritualized (including guitarist Mark Refoy, bassist Willie B. Carruthers, and drummer Jon Mattock), pre-dated the orchestral drones that became the band's hallmark. The first true Spiritualized single, a dramatic reading of the Troggs' "Anyway That You Want Me," was the final nail in the coffin -- reportedly, Kember was so incensed by the Spacemen 3 logo appearing on the disc's jacket that he disbanded the group for good.
In 1991, Spiritualized returned with a string of EPs -- Feel So Sad, Run/I Want You, and Smile/Sway -- before their long-awaited debut, Lazer Guided Melodies, finally appeared the following year. The masterful, blissed-out result of Pierce's obsessive studio fine-tuning and endless remixing, the album was promoted by Spiritualized's slot on the high-profile Rollercoaster tour, where they appeared with the Jesus and Mary Chain and Curve. A limited-edition live document, Fucked Up Inside, followed in 1993, trailed by another EP, Electric Mainline, later in the year.
In 1995, Spiritualized -- now a trio consisting of Pierce, keyboardist/guitarist Kate Radley, and bassist Sean Cook -- issued Pure Phase, a heady, dense production that boasted separate mixes from each stereo channel. With 1997's platinum-certified Ladies and Gentlemen We Are Floating in Space, Pierce deliberately jettisoned many of the band's usual points of departure, including drones, tremolos, and phase tones; recorded with new drummer Damon Reece, it featured a cameo appearance from legendary New Orleans pianist Dr. John on one track, while Memphis studio legend Jim Dickinson appeared on another. Other guests included the Balanescu Quartet (also featured on Pure Phase), the London Community Gospel Choir, and Spring Heel Jack. The two-disc Royal Albert Hall October 10, 1997 live album followed in late 1998.
The following year, Pierce gutted Spiritualized's lineup, firing Cook, Reece, and Mike Mooney, who formed Lupine Howl soon after their dismissal; Radley left soon after she married Verve frontman and solo artist Richard Ashcroft. Only saxophonist Ray Dickaty and occasional keyboardist Thighpaulsandra (aka Tim Lewis) remained in the band. Pierce began writing and recording material for the next Spiritualized album at George Martin's Air Studios and recruited percussionist Tom Edwards, bassist Martin Shallards, Echoboy drummer Kev Bales, and guitarist Dogan (from Julian Cope's band), for the sessions. That critically acclaimed fourth album, Let It Come Down -- which featured an even lusher, more involved sound than Ladies and Gentlemen -- arrived in mid-2001. The effort was their highest-charting release to date, peaking at number three in the U.K. and marking the band's first appearances on the French and U.S. charts.
The follow-up, 2003's Amazing Grace (Dedicated/Arista), was more of a back-to-basics record. Although it entered the U.K. charts at number 25, it failed to make a dent in international markets. Their sixth album, Songs in A and E (Universal/Sanctuary), arrived in spring 2008 and saw Spiritualized bounce back toward the top of the charts. In 2010, Spiritualized embarked on a tour performing Ladies and Gentlemen in its entirety, writing new songs influenced by that album -- as well as by the Beach Boys and Peter Brötzmann -- while they were on the road. Pierce and company laid down the songs at studios in Los Angeles, Wales, and Reykjavik over the course of two years; the results, Sweet Heart, Sweet Light (Double Six/Fat Possum), were released in April 2012.
After a six-year hiatus, the longest yet for his band, Pierce wanted to make what he thought would be the last Spiritualized album. Not having the budget to record in a large studio, he opted instead to construct the effort on a laptop computer, "playing" everything himself (the lush strings are sampled) save for horns, upright bass, and timpani; it was a process he initially found exasperating. The end result, And Nothing Hurt, was released in September of 2018, followed by a full band tour as well as the admission that the offering may not be the final album from the group. ~ Jason Ankeny