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The Jam

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Biography

The Jam were the most popular band to emerge from the initial wave of British punk rock in 1977; along with the Sex Pistols, the Clash, and the Buzzcocks, the Jam had the most impact on pop music. While they could barely get noticed in America, the trio became genuine superstars in Britain, with an impressive string of Top Ten singles in the late '70s and early '80s. The Jam could never have a hit in America because they were thoroughly and defiantly British. Under the direction of guitarist/vocalist/songwriter Paul Weller, the trio spearheaded a revival of mid-'60s mod groups, in the style of the Who and the Small Faces. Like the mod bands, the group dressed stylishly, worshipped American R&B, and played it loud and rough. By the time of the group's third album, Weller's songwriting had grown substantially, as he was beginning to write social commentaries and pop songs in the vein of the Kinks. Both his political songs and his romantic songs were steeped in British culture, filled with references and slang in the lyrics, as well as musical allusions. Furthermore, as the Jam grew more popular and musically accessible, Weller became more insistent and stubborn about his beliefs, supporting leftist causes and adhering to the pop aesthetics of '60s British rock without ever succumbing to hippie values. Paradoxically, that meant even when their music became more pop than punk, they never abandoned the punk values -- if anything, Weller stuck to the strident independent ethics of 1977 more than any other punk band just by simply refusing to change. Weller formed the Jam with drummer Rick Buckler, bassist Bruce Foxton, and guitarist Steve Brookes while they were still in school in 1975; Brookes quickly left the band and they remained a trio for the rest of their career. For the next year, the band played gigs around London, building a local following. In February 1977, the group signed a record contract with Polydor Records; two months later, they released their debut single, "In the City," which reached the U.K. Top 40. The following month, the group released their debut album, also called In the City. Recorded in just 11 days, the album featured a combinations of R&B covers and Weller originals, all of which sounded a bit like faster, more ragged versions of the Who's early records. Their second single, "All Around the World," nearly broke into the British Top Ten and the group embarked on a successful British tour. During the summer of 1977, they recorded their second album, This Is the Modern World, which was released toward the end of the year. "The Modern World" made it into the Top 40 in November, just as the Jam were beginning their first American tour. Although it was brief, the tour was not successful, leaving bitter memories of the U.S. in the minds of the band. This Is the Modern World peaked in the British charts at number 22, yet it received criticism for repeating the sound of the debut. The band began a headlining tour of the U.K., yet it was derailed shortly after it started when the group got into a nasty fight with a bunch of rugby players in a Leeds hotel. Weller broke several bones and was charged with assault, although the Leeds Crown Court would eventually acquit him. The Jam departed for another American tour in March of 1978 and it was yet another unsuccessful tour, as they opened for Blue Öyster Cult. It did nothing to win new American fans, yet their star continued to rise in Britain. Bands copying the group's mod look and sound popped up across Britain and the Jam itself performed at the Reading Festival in August. All Mod Cons, released late in 1978, marked a turning point in the Jam's career, illustrating that Weller's songwriting was becoming more melodic, complex, and lyrically incisive, resembling Ray Davies more than Pete Townshend. Even as their sound became more pop-oriented, the group lost none of their tightly controlled energy. All Mod Cons was a major success, peaking at number six on the U.K. charts, even if it didn't make a dent in the U.S. Every one of the band's singles were now charting in the Top 20, with the driving "Eton Rifles" becoming their first Top Ten in November 1979, charting at number three. Setting Sons, released at the end of 1979, climbed to number four in the U.K. and marked their first charting album in the U.S., hitting number 137 in spring of 1980. At that time, the Jam had become full-fledged rock stars in Britain, with their new "Going Underground" single entering the charts at number one. During the summer, the band recorded their fifth album, with the "Taxman"-inspired "Start" released as a teaser single in August; "Start" became their second straight number one. Its accompanying album, the ambitious Sound Affects, hit number two in the U.K. at the end of the year; it was also the band's high-water mark in the U.S., peaking at number 72. "That's Entertainment," one of the standout tracks from Sound Affects, charted at number 21 in the U.K. as an import single, confirming the band's enormous popularity. "Funeral Pyre," the band's summer 1981 single, showed signs that Weller was becoming fascinated with American soul and R&B, as did the punchy, horn-driven "Absolute Beginners," which hit number four in the fall of the year. As the Jam were recording their sixth album, Weller suffered a nervous breakdown, which prompted him to stop drinking. In February 1982, the first single from the new sessions -- the double A-sided "Town Called Malice"/"Precious" -- became their third number one single and the band became the first group since the Beatles to play two songs on BBC's Top of the Pops. The Gift, released in March of 1982, showcased the band's soul infatuation and became the group's first number one album in the U.K. "Just Who Is the 5 O'Clock Hero" hit number eight in July, becoming the group's second import single to make the U.K. charts. Although the Jam was at the height of its popularity, Weller was becoming frustrated with the trio's sound and made the decision to disband the group. On the heels of the number two hit "The Bitterest Pill," the Jam announced their breakup in October of 1982. The band played a farewell tour in the fall and their final single, "Beat Surrender," entered the charts at number one. Dig the New Breed, a compilation of live tracks, charted at number two in December of 1982. All 16 of the group's singles were re-released by Polydor in the U.K. at the beginning of 1983; all of them recharted simultaneously. Bruce Foxton released a solo album, Touch Sensitive, and Rick Buckler played with the Time UK; neither of the efforts were as noteworthy as the Jam biography the two wrote in the early '90s, which contained many vicious attacks on Weller. Immediately after the breakup of the Jam, Weller formed the Style Council with Mick Talbot, a member of the Jam-inspired mod revival band the Merton Parkas. After a handful of initial hits, the Style Council proved to be a disappointment and Weller fell out of favor, both critically and commercially. At the end of the decade he disbanded the group and went solo in the early '90s; his solo albums were both artistic and popular successes, returning him to the spotlight in the U.K. The legacy of the Jam is apparent in nearly every British guitar pop band of the '80s and '90s, from the Smiths to Blur and Oasis. More than any other group, the Jam kept the tradition of three-minute, hook-driven British guitar pop alive through the '70s and '80s, providing a blueprint for generations of bands to come. ~ Stephen Thomas Erlewine
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Top Tracks

  1.   Track
    Popularity
  2.   That's Entertainment
  3.   Town Called Malice
  4.   The Modern World
  5.   Start!
  6.   In the City
  7.   Going Underground
  8.   In the Street Today
  9.   David Watts
  10.   The Bitterest Pill (I Ever Had to Swallow)
  11.   The Eton Rifles
  12.   Pretty Green
  13.   Beat Surrender
  14.   And Your Bird Can Sing
  15.   So Sad About Us
  16.   Batman Theme
  17.   Ghosts
  18.   To Be Someone (Didn't We Have a Nice Time)
  19.   I Need You (For Someone)
  20.   Bricks and Mortar
  21.   Slow Down
  22.   Art School
  23.   Precious
  24.   The Place I Love
  25.   In the Crowd
  26.   Life From a Window
  27.   I Got by in Time
  28.   I've Changed My Address
  29.   Music for the Last Couple
  30.   Boy About Town
  31.   Strange Town
  32.   Smithers-Jones
  33.   Little Boy Soldiers
  34.   Thick as Thieves
  35.   It's Too Bad
  36.   Absolute Beginners
  37.   Walking In Heaven's Sunshine
  38.   Down in the Tube Station at Midnight
  39.   The Butterfly Collector
  40.   Trans-Global Express
  41.   One of Us
  42.   Mr. Clean
  43.   In the Crowd/David Watts
  44.   Down At The Tube Station At Midnight
  45.   Going Undergound
  46.   Just Who Is the Five O'Clock Hero
  47.   London Girl
  48.   Tonight at Noon
  49.   All Around the World
  50.   A Solid Bond in Your Heart
  51.   Every Little Bit Hurts
  52.   Dream Time
  53.   When You're Young
  54.   Away from the Numbers
  55.   Heatwave
  56.   Saturday's Kids
  57.   Burning Sky
  58.   English Rose
  59.   Shopping
  60.   That's Entertainment/Tales From the River Bank
  61.   Bricks and Mortar/Batman
  62.   Along the Grove
  63.   Introduction/Girl on the Phone
  64.   Alfie
  65.   Skirt
  66.   Waterloo Sunset
  67.   Don't Tell Them You're Sane
  68.   The Combine
  69.   Standards
  70.   In the Midnight Hour
  71.   Sweet Soul Music
  72.   Funeral Pyre/Interview
  73.   Tales From the Riverbank/Interview
  74.   See-Saw
  75.   We've Only Started
  76.   Hey Mister
  77.   I Got You (I Feel Good)
  78.   Pop Art Poem
  79.   Rain
  80.   Best of Both Worlds
  81.   Worlds Apart
  82.   Pity Poor Alfie/Fever
  83.   Disguises
  84.   The Night
  85.   Innocent Man
  86.   Aunties and Uncles (Impulsive Youths)
  87.   News of the World
  88.   Here Comes the Weekend
  89.   London Traffic
  90.   Carnaby Street
  91.   Pity Poor Alfie
  92.   Stand By Me
  93.   Dead End Street
  94.   Takin' My Love
  95.   Time for Truth
  96.   Sounds From the Street
  97.   Monday
  98.   Running on the Spot
  99.   Just Who Is the 5 O'Clock Hero?
  100.   Happy Together
  101.   Intro
  102.   The Great Depression
  103.   Get Yourself Together
  104.   Circus
  105.   Tales from the Riverbank
  106.   The Gift
  107.   Liza Radley
  108.   Scrape Away
  109.   But I'm Different Now
  110.   Carnation
  111.   Funeral Pyre
  112.   Man in the Corner Shop
  113.   The Dreams of Children
  114.   Set the House Ablaze
  115.   Big Bird
  116.   Wasteland
  117.   Private Hell
  118.   Girl on the Phone
  119.   'A' Bomb in Wardour Street
  120.   Move on Up
  121.   Stoned Out of My Mind
  122.   War
  123.   All Mod Cons
  124.   Billy Hunt
  125.   Non-Stop Dancing
  126.   Only Started
  127.   No One in the World
  128.   All Mod Cons/To Be Someone (Didn't We Have a Nice Time)
  129.   Fly
  130.   Tiralo Pa'Bajo
  131.   Simon
  132.   The Butterfly Collector/Private Hell
  133.   Instrumental
  134.   Back in My Arms Again
  135.   The Planner's Dream Goes Wrong
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